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 Reading manuscript

Reading manuscript

Recitation refers to clear and loud reading. It is a creative activity that transforms written works into sound language. Long means clear and loud voice; Recitation is recitation. Recitation is a kind of language art that perfectly expresses the thoughts and feelings of works with clear and loud voice and various language means. Recitation is an important form of oral communication. Reading can not only improve reading ability and artistic appreciation, but also cultivate one's temperament, broaden one's mind, civilized words and deeds, and enhance understanding; Small, can effectively cultivate the ability to appreciate the language and vocabulary, as well as to establish the best form of oral expression self identification ability. Therefore, if you want to be a master of oral expression and communication, you can't ignore recitation.

 Reading manuscript
Reading manuscript

one skill

Preparation before recitation

Recitation is a kind of recreation activity of the reciter. This kind of re creation is not a separate set of reading materials, nor a simple activity of pronunciation according to the characters. It requires the reader to convey the main spirit and artistic beauty of the original work through the words and sentences of the original work. Not only to let the audience understand the content of the recitation, but also to make it emotionally infected. In order to achieve this goal, the reader must do a series of preparations before reading.

(1) selection of reading materials

Recitation is an art of conveying feelings. In order to convey emotion well and arouse the audience's sympathy, the reader should first pay attention to the choice of materials. When choosing materials, first of all, we should pay attention to those articles which have vivid language and are suitable for oral use. Because image feeling is a very important part of reading; The dry and dry written language can not form a rich image feeling for the reciter with strong feeling ability. Secondly, according to the recitation occasion and the needs of the audience, as well as the reader's own hobbies and actual level, in many works, select the appropriate works.

(2) grasp the content of the work

Accurately grasping the content of the work and thoroughly understanding its internal meaning are the important premise and foundation of the work reading. Of course, the use of various artistic means in recitation is very important, but without the premise of accurately and thoroughly grasping the content, artistic skills become water without source, and trees without roots become a kind of pure formalism, which can not convey feelings and arouse the audience. To grasp the content of the work accurately and thoroughly, we should pay attention to the following points:

1. Correct and in-depth understanding

In order to express the thoughts and feelings of the work accurately, the reader needs to understand the internal meaning of the work through the lines. First of all, he should clear the barriers and make clear the meaning of the new words, new words, idioms, allusions and sentences in the text, and do not swallow them blindly. take the words too literally. Secondly, it is necessary to grasp the background, theme and emotional tone of the work, so as to accurately understand the work and not to read the work in pieces or even distort the ideological content of the original work. Taking Gao Erji's petrel as an example, it is necessary to make a comprehensive analysis of the works after removing the writing obstacles. This work is symbolically passed before the storm comes. The three pictures depicting the approaching storm and the coming storm create the image of a petrel who is not afraid of lightning and thunder, dares to fight against the wind and waves, and dare to call on the wind and rain. It was read by the workers and revolutionary masses during the revolutionary group activities. It was regarded as a war song to spread revolutionary information and firm revolutionary ideals. After a comprehensive analysis, it is not difficult to grasp the theme of the recitation: full of passion to call for the arrival of the revolutionary climax. Furthermore, it is not difficult for us to grasp that the keynote of this work should be the yearning for and expectation of the revolutionary climax.

2. Deep and meticulous feelings

Some of the recitations also have cadence, but they can't move the audience. If it is not the work itself has defects, it is that the reader's feeling of the work is too shallow, not really into the work, but there "squeeze" emotion, "create" nature. The audience is keen, they will not be moved by the empty feelings. If the reader wants to arouse the audience's feelings and make the audience share the same joy, sorrow and breath with themselves, they must carefully appreciate the work, enter the role and enter the situation.

3. Rich and vivid imagination

While understanding and feeling the works, they are often accompanied by rich imagination, so that the contents of the works can be activated in their own hearts and eyes, just like seeing and experiencing with their own eyes. Taking Chen Ran (my confession book) as an example, while making a comprehensive analysis of his works, we can imagine that he is Chen Ran (special branch secretary of Chongqing's advance newspaper). At that time, I was under such a situation: I was arrested by the Kuomintang, and I was tortured in prison, but my faith was not shaken. Finally, the enemy put a piece of white paper in front of me and asked me to write a confession, Full of resentment and contempt for the enemy and the firm belief that the revolution will win, I wrote my confession book in the style of "denouncing the enemy chieftain" with pride. In this way, through in-depth understanding, sincere feelings and rich imagination, people can be moved.

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